There is a lot happening at The Tilden House these days. We know that David and Abigail came to what was the "wilds of Dorchester" in the fall 1725. And so we are celebrating the 300th season of this house in this place. 

The second phase of this project is well underway. This is the next step in what began more than five decades ago. Here's a blog post highlighting the next phase of the Tilden House preservation project.

The Next Chapter: Tilden House Restoration Enters Phase II 
This is a pivotal moment in our mission to not only preserve this incredible structure but also to bring its rich history to life for future generations. Phase I focused on stabilization and critical repairs, and now, Phase II will delve into the detailed restoration and interpretive work that will truly transform the Tilden House.

Our work in this phase is a careful blend of historical accuracy and modern functionality, ensuring the house's story is told while making it accessible and sustainable for the future.

Exterior Enhancements
A new handicapped access walkway is being added to the north entrance, and we're regrading the perimeter to ensure proper drainage, protecting the foundation from water damage. We have installed two exterior interpretive panels to assist visitors in understanding the project details and history of the house. 

Interior Restoration and Interpretation
The interior work is where the house's past will truly be revealed. We're removing modern strip flooring and installing historically correct wide-board flooring throughout the first floor. We'll leave the upper landing's early pine boards as they are, a beautiful testament to the house's age.

A key feature of this phase is the installation of "view ports" in various walls. These are small, strategically placed windows that will allow visitors to see historical evidence that has been hidden for years. You'll be able to peer into the past, seeing things like early weather boards, shingles, chimney construction, and original rafter framing. For example, a view port in the Southwest Chamber will show the original chimney stacks, and another in the Southeast Chamber will reveal the early split lath and plaster.

To guide these decisions, we performed in-depth paint and materials analysis to inform our finishes. We'll be able to match original colors and textures, ensuring every detail is historically accurate. These details will be complemented by interpretive panels that will be carefully integrated into the historic fabric of the house, offering context without being obtrusive.
A Room-by-Room Look at the DetailsWe're approaching this project with a surgical level of precision, with specific plans for each area of the house. For example:

• First Floor: In the Southeast Room, we're considering leaving a section of the ceiling exposed to show the original floor joists and early whitewash. We'll open the east wall of the Southwest Room to reveal the chimney structure.
• 19th-Century Wing: View ports will highlight early shingles and evidence of the original north door.
• North Lean-to: In the East Room, we'll reinstall original evidence in sections of the north wall and add a view port to showcase a rising brace.
• Second Floor: The stair hall and landing will retain their original wide-board flooring and finishes, a nod to the building's earliest layers.
  
  

Modern Systems with a Light TouchWe're also installing essential modern systems discreetly. This includes a hot-air and cooling heating system for the first floor to allow for comfortable shoulder-season use, as well as new electrical wiring and lighting. A single, unisex restroom and a small kitchenette will be added on the first floor, providing necessary amenities without compromising the historic character of the space.

Phase II is all about connecting the past to the present. We can't wait to share the progress and the fascinating stories the Tilden House has to tell. Stay tuned for more updates as we delve deeper into this exciting new chapter!

Over two years ago we began Phase II with excitement and high hopes. Within days of commencing interior demolition we discovered a treasure trove of historic artifacts buried under the floorboards of the mid-20th century kitchen. Work stopped, Archeologists moved in. And, once the dust (literally) cleared, we had reclaimed over 1,390 artifacts, including 18 pre-contact items.  

The recovered artifacts from the site consist of seventeenth- through nineteenth-century domestic and architectural material that was likely discarded by members of the Tilden, Lyon, and Howard families and by the residents of the Tilden House after Thomas Ward transformed it into a gardener’s residence in 1856. The collected ceramic and glass artifacts include kitchen items, vessels such as plates and mugs that were used for everyday drinking and dining, vessels like tea cups that were likely used for special occasions or social events, and personal adornment items like the piece of jewelry. While the eighteenth- and earlynineteenth-century objects such as the recovered creamware, pearlware, and white salt glaze stoneware were likely owned and used by the Tilden, Lyon, and/or Howard families, much of the collected material represents objects that were likely owned by the working-class tenants of the Tilden House during its time as a gardener’s residence. This includes the mid- to late-nineteenth-century medicinal and toiletry items in the assemblage such as the Dr. Kennedy’s Medical Discovery bottle and the bottle of hair oil; the purchase of these items by the Tilden House residents reflects the increasing awareness and emphasis on health and hygiene in the nineteenth century. 

Following the archeological study, work refocussed on ways to interpret what was found. It became critical to build a plan that would allow the entire first floor to be accessible to all. Plans were re-drawn and today the intrior project is underway. Work began on the new accessible ramp from the parking lot path to the new entrance at the rear of the house. Plumbers are building a fully accessible unisex bathroom. A small kitchen is planned to allow for light refreshments and programatic support. The floor will be replaced, a HVAC system will be designed, additional interior structural elements will be installed, and finally interpretation of the historic significance and the preservation project will be designed. 

Today we stand on the cusp of the next chapter for The Tilden. At 300 years-old this artifact is loved and treasured. 

Today was an emotional day for me at the Tilden House. I have to admit that as our guests left a friend caught me crying. There is no doubt it was very delightful. After all, it had been more than twenty years since the public had been in the house. It was the realization that finally we can safely take people through the house and showcase the history, workmanship and heritage of this first-period home.
 
The two-hour workshop was a test. We wanted to know whether the story that we had been telling for many years would have meaning and spirit within the space. Because the house was “standing sawdust” for the last several years, it was always precarious whenever we invited people inside. The windows had been boarded up, the floor sagged, and animals had largely come to occupy large sections of the basement and attic.
 
What we can say now, and on no uncertain terms is that indeed the stories and discussions that have led to the preservation project resonate within the authenticity of the house. It’s a simple house built in a simple time for families that came to live in Dorchester Village – or Stoughton and then Canton.  We spent time talking about the process of preservation and what it takes to deconstruct a wood frame structure in order to put it back together. At one point a dozen people stood in the front parlor – to do so merely six months ago would have been impossible.
 
We’ve always been very forthcoming with the fact that the work we are doing is in phases. And phase one is all about structural integrity. In order for twelve people to stand in the parlor, the floor strength had to be brought to one-hundred pounds per square foot. The new floor loads in the Tilden are designed to meet the demands of a modern museum. Your house has a floor load of less than half what we are providing for in the Tilden. And so, it is no surprise that there was great joy seeing so many people in a place that was once off limits to more than two or three people at best.
 
The new challenge that is arising is the need to understand how to reframe the house and the windows. Since the plates, girts, beams and posts are all repaired or replaced, and the sheathing is about to go back on, there is a need to figure out the rough opening and quantity of windows. Sadly, we are still trying to raise money to actually place new windows into the project. The balance is being made with the need to make sure there is a wooden roof as well. Is it possible to want to much? Probably so. But, that is what the creative side of preservation is. Deciding how best to allocate the funds in a way that ensures success and safety.
 
Last week our historical architectural consultant spent an entire day studying the exposed building. This is where the window style is being chosen. It is also where we are making a choice as to which windows to eliminate. The house is not being restored to the time or Tilden or Alexander – rather we are moving to adjust the time of the house to the first third of the 19th century. Keeping all the elements that were there just before the Civil War. So, the house as a continuum will show several owners and several styles. Certainly, the first period (late 18th century) will be shown. But, some of the changes made in the late 19th and early 20th century as well as work in 1976 are being eliminated. Careful documentation is underway to preserve what is being changed. Through reading the building we are now more confident in the final look of the facades and lines of the house.
 
And so, on a glorious summer day, we opened the Tilden for the first time. We shared so many stories and in a private moment I cried a tear of joy. It’s really hard to explain the joy and elation of this work. A five-minute trip to the Tilden turns into an hour or two whenever Jay or Gerry are working. Until now, it was only for me, so it is a new emotion to be able to share with others; the details, craftsmanship and history of such a remarkable place. Our architect, and dear friend Lynne Spencer remarked, “out of the ashes rose the Phoenix,” and the Tilden is just that – radiant and shimmering. Just like the Phoenix, the Tilden has lived for several hundred years, nearly died by bursting into flames, and now reborn to start a new life – long and rich and worthy of our heritage.

On the east facade of the Tilden House there has been a flurry of activity. Our preservation carpentry team has always felt that the work has to be visible to the public, and what better way to demonstrate the progress than to work on the wall that faces the street. As the scaffolding suggests, the work is focussed on the repair of the girt (horizontal timber joining wall posts between sill and plate) on the gable end of the building. And, the chestnut girt is surprisingly strong and needs minimal yet surgical repairs. 

At the very middle of the beam, the rotted section needed to be cut away, and a new oak section installed in its place. The work here demonstrates clearly the difference between preservation carpentry and modern adaptive reuse. The repair is made even more complex owing to the fact that within the building and centered on the repair, the girt has to connect and join the enormous summer beam inside the parlor ceiling. The summer beam is a critical component in the strength of the structure and carries a great load. This beam is the major floor timber spanning the large room, and joining it to the girt was a challenge. 

Once the rotted section was removed, a rare site was revealed. The joint that was at the end of the summer beam was quite unusual, and Bill Finch, our architectural historian identified it as a tusk tenon. Bill wrote from Maine, "this is a variant of a “tusk tenon” joint, the variant being the angle cut in the top of the lower part of the joint." What we saw onsite this week was magical. The workmanship of almost three centuries revealed. And, the challenge was to preserve the tenon - even though it would never be seen again once the repair was made. And so, the tusk tenon was carefully measured and then the negative space was cut into the new oak repair and slid into place.  The original pins that held the summer beam into the girt will be placed back inside for a genuinely authentic and detailed repair. Gerry O'Doherty smiled as he told me a bit of grease helps move the tenon into the specially cut mortise. I can never tell if he is playing on my gullibility or if he is genuine in his teaching. Often times he tells me that he "can't give away all his secrets" as if I would ever embark on such a project again in my lifetime. In any case, the after using a sledgehammer as a persuader, the oak repair slid into place. The tusk tenon will never be seen again. 

 And there is more. If you look at the repair in the last photo below, you will see that Gerry O'Doherty has two cuts one either end of the new repair. The cut on the left is quite complex (sloped half lap) and was done to preserve additional details in the vertical beams above and below. On the right, the joint is less complex (half lap) because the area surrounding the joint had little material, if any, to preserve in context. When people want an explanation of what this project at the Tilden is about, this is but one example of dozens where careful attention to materials and historic fabric are taken into account to dictate the means and methods of preservation. 

The joy of discovery lies in the academic research of answering so many mysteries about this house. There is some degree of conjecture in the process, but with so many experts to draw upon we have learned so much more about David Tilden and what kind of a man he was here in what was the wilds of Dorchester. There is a talented hand at work in the craft of building a timber frame house. And, what had been described once by our structural engineer as "standing sawdust" was standing as a result of the strength of the materials and workmanship in their assembly. When the snow loads in February 2015 caused the collapse  of the modern ice skating rink in Ponkapoag, the Tilden House carried the loads admirably. Now we know why. The timbers of native chestnut, oak and fir have dense cores that despite the burrowing of the powder post beetle have withstood the test of time and still support the structure. The work we do today will extend the life of the Tilden for many more generations. 

​That is the magic of this project! Preservation happens for the pure joy of preserving something and sharing the discovery with people who care and have a passion for history. The house is talking and we are listening. 

Watch a short movie showing the process of cutting the new repair and tightening the building. 

Jim Roache, a fellow curator from the Canton Historical Society, stopped by today. We walked around the building together and near the front door we saw something very special. At the ground, from out of the muddy grass we saw a spring crocus. Purple and yellow with tender green leaves, the crocus greeted us with the joy of another Spring at the Tilden House. That's the thing about what we are now doing. Small things start to become illustrative of a larger story. We now see nails protruding from the beams in what was the kitchen and instinctively we know that at one time, fine herbs once hung from that same spot. We are looking at so many new things everyday. 

The remarkable thing about this project, is that in doing the work today, the preservation carpenters are using some of the same techniques that have been employed in timber frame construction for the past several centuries. As you walk through the project, the oak timbers are cut with painstaking precision. There is a quality in the craftsmanship that will speak through the ages. The visitor is hard-pressed to find modern materials at this site. Yes, there are a few power tools, but still the old ways are the best ways. The men working at the Tilden are craftsmen, and they take great pride in their work. Chisels and ice tongs liter the work zone, and even scraps and cribbing are employed when needed for a shim or temporary brace. 

The timbers that are being replaced also tell a story. The marks of the tools that fell the chestnut trees in the 18th century help us see the house in new ways. Gerry O'Doherty pulls out a large bean and shows the marks on the side, "this beam was shaped with a broad axe," he explains. O'Doherty has an instinct that is supported by more than three decades inside really old houses. A natural teacher, O'Doherty shows me the marks, and explains how the tree was felled, shaped, notched and formed to become the beam at our feet. The, O'Doherty goes on to describe the tool itself. Waxing over the description of a goose-neck handle and finely sharpened edge, it is as if David Tilden is describing his work back in 1725. It's a joy to learn so much from a single block of wood. 

It's been a good season for the preservation crew. The weather has been cooperative, and snow stayed at bay for the most part. Inside the basement, where the bulk of the work has progressed, has stayed fairly tight and has not presented nearly any surprises. From an engineering standpoint, the new oak timbers are impressive. On a recent visit we found that the structural engineer has added three new footings below the oldest section of the house. The new support frame, in many cases, is being sistered alongside existing beams. Visitors to the Tilden in the future will be able to see the new work being done today alongside the preserved work that dates to the original builders of each phase of the house. 

Soon, the carpenters will be out of the basement, and as the weather gets warmer we will see increased activity outside the house. The transformation is slow and steady. We remain on budget and on a timeline that brings us into the mid-summer for the completion of this phase of work. Each and every time we visit, it is a joy to see and learn more about this place. 

Ambling along the chain link construction fence I came upon a well known "townie" and his dog. Pleasantries were exchanged and  then he looked at me quizzically and asked me "Why?"  There was a litany of questions attached to the "why" - "why spend the money? Why save this wreck? Why not tear it down and build a new house at half the price?" and so on. 

I never have taken offense to the question, even at the core when it reflects my own personal beliefs behind historic preservation. The foundation of the answer lies quite simply in the reply "why not?" The Tilden House has great intrinsic value. The hand hewn oak and chestnut beams all date to the early 18th century and some perhaps date to the late 17th century. The hardwoods that grew in Dorchester Village and cut by the pioneers who made a life and survived at the edge of wilderness. Keep in mind, that this house, even in the worst of conditions has weathered over three-hundred New England winters. Countless snowstorms buried this homestead and it has survived. It is a survivor and continues to speak to us in new ways. 

There is a treasure trove of details that are now being seen for the very first time. The fabric, construction, and the hardware that were all created right here on this property. The Tilden House will attract people, young and old, who value history and culture. It will become a backdrop to a historic landscape and help people see the cultural complexity and aesthetics of Pequitside Farm. Touching the summer beams - the load bearing timber that carries the weight of building, and knowing that David & Abigail Tilden lived in harmony in this space, brings great comfort to the visitor. 

Many local preservationists and citizens have rallied in support of the Tilden for the past six decades. The heritage and the permanency of this building will become readily apparent over the next several months. Each day the house is drawn away from the brink of extinction. Why? because people care. They have cared to give their time, money, energy, votes and most of all passions. To have lost this treasure would have been unbearable. Imagine that valley on Pleasant Street without the iconic Tilden, and the answer becomes clear. 

The Tilden is continuity for our community, it is embedded in our memory of this place, it is one of the reasons that makes Canton (and Stoughton for that matter) unique and culturally significant. When completed, it will again become a beautiful place to visit and learn about architecture, first-period craftsmanship and help generations in the future understand our values. 

It would have been so easy to simply allow this building to slip away. To sink into history and show photos as an example of what was. I am not sure that I convinced my fellow townie this morning, and actually it really does not matter. The convincing is now past, the action is before us. Our ancestors are speaking from beyond the years. For all the families that have lived in that house, the Tilden's, Lyons', Howard's, Alexander's and so many more - their spirit is in the work we are doing today and is a fitting tribute. Why? --- Why Not!!!

Work is now formally underway at the Tilden House. It seems so uneventful after the years of slow and steady progress to get to this point. There was no groundbreaking ceremony, and the work is largely hidden from public view. That said, the restoration is well begun. The foundation around the entire building has been exposed and dug out around six inches around the perimeter. After three centuries, the foundation is in relatively great condition. There will be a bit of repointing and historic masonry work, but otherwise the stonework looks great. 

Workers are beginning to remove the wiring and systems as part of a directed and careful demolition. Clearing out the spaces will allow new systems to be installed at a future date. Electrical, HVAC, and plumbing will be new and brought up to code. An old 60 amp electrical service will be resized and the hope is to bring all wiring underground to preserve the historic context of the setting. 

All of the ground surface preparation it meant to pave the way for the new sills that will be placed between the house and the stone foundation. The white oak trees from western Massachusetts that have been felled merely weeks ago are now at the sawmill being cut specifically for the Tilden House. At some point, we will travel out to Shirley, Mass. to take a closer look at the process and begin delivery. The source of the materials in this project will be of great interest and help us tell the story of preservation carpentry and how we save this first period house. 

Outside, a stately black walnut tree extends its branches as fingers touching the roof of the house. A veritable highway for squirrels will be trimmed back. The branch, as thick as an arm, will be saved and become souvenirs and crafts to help fund some of the work that is still to come. A spoon, a cutting board or perhaps a tree ornament - all to be refashioned and salvaged to help sustain the work at the house. The dead apple tree outside the kitchen has served a full life and is about to be removed. One day a historic garden will adorn the grounds, but today is a day of reckoning for the overgrown plants and trees. 

Outside the back corner of the house, the ashes of a fireplace are discovered heaped against the foundation. Noted for future research and discovery. Over the next few weeks the work will become more evident to the public. Tours and short seminars on the work will be scheduled once we are well underway. It is so exciting to begin. Onward!

The phone rang at 3:32 am. It rang again at 3:45 am. Both calls went unanswered. When I woke at 4:45, I instinctively turned to my phone to check the time. Bleary eyed I saw that there were two missed calls. The first was from the alarm company monitoring the Tilden House. "This is James, this call concerns the Canton Historical Society and 93 Pleasant Street. At 3:28 am we received a fire alarm in the first floor smoke detector. The fire department has been dispatched." 

My heart sank. For so many moments over the years I had an image of how this project could end, and fire has always been a great threat. After all, this is a wood frame building and with over three centuries of history, wood buildings are at great threat from flames. The house has been protected as best possible. Most of the electricity has been removed, smoke and motion detectors monitor the building 24/7 and exterior lighting has been added to make sure it can be well observed from the street. All that said, fire is always a possibility. 

There was a sense of foreboding and I scraped the frost from the windshield and headed out in the darkness of the morning. In the driveway I sniffed the air for smoke and looked to the north of my house for any signs of fire across the swamp towards the Tilden. As the car warmed, I imagined that the money raised would need to be returned. Letter's would be written, tears would be shed and the town would mark the loss with a plaque. I drove faster than I should have. A bright moon shone over the Reservoir as I searched for tell-tale emergency lights in the meadow. I even imagined how the television news reports might cover the loss of this already almost lost building. 

Turning into the parking lot, the Tilden stood strong against the cobalt blue dawn. There was no fire. It was just as it had been the day before. Turning the key in the lock, and accompanied by a Lieutenant from the Canton Fire Department, we searched for the source of the alarm. A smoke detector had malfunctioned in the cold of the December night.  The house was safe and sound. 

When my wife woke up and I relayed to her my pre-dawn adventure, she smiled softly and said, "that house wants to be saved." A mantra that she, and others have said countless times over the past fifteen years. Indeed, that house speaks every time we touch. And, on Christmas Day, the dawn of a new era for this historic site is about to break. The builders will reach deep into the soul of the house and find the weakest of pulses. They will begin major surgery on the vital organs, the spine and the bones of the house. Tilden will speak volumes over the next several months. Today, one of the great gifts that I received was a false alarm and renewed hope that this house wants to be saved. 

The Canton Historical Society signed a contract with Gerard O'Doherty of Lincoln, Massachusetts for Phase I structural preservation work at the Tilden House. This culminates the efforts of preservationists that began in 1973.  With close to forty-five years of work, a major milestone has been met to protect and preserve the historic homestead of David and Abigail Tilden. Work is expected to begin mid-December.

Earlier this week, the Board of Selectmen executed a preservation restriction with the Commonwealth of Massachusetts to protect the building in perpetuity. The restriction paved the way for a $50,000 matching grant from the Massachusetts Historical Commission. In addition, Governor Baker's Office of Administration and Finance is releasing the $100,000 budget earmark that was filed by Representative William Galvin and Senator Walter Timilty. Taken as whole, more than $500,000 is dedicated to the project. 

Taken as a whole, sufficient money has enabled the Canton Historical Society to begin work on the nearly three-hundred year old house. The house was built over the course of the years between 1725 and 1747 with a rear lean-to constructed in the late 17th century and moved into place in 1725. The house has had seven owners - including the Town of Canton who purchased it in 1970. When preservation is completed the house will become a study in early architecture and wood-frame construction techniques. O'Doherty has very specialized skills that will be used to replicate early construction techniques. 

In August 2018 the Canton Historical Society assumed a twenty-five year lease and has begun the restoration as a centerpiece of their commitment to the people of Canton. Plans to share the work and develop tours of the preservation efforts will begin later this Winter.